BILL FAY-Screams In The Ears-missing link Drake/Dylan/Davies

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jamestkirk
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BILL FAY-Screams In The Ears-missing link Drake/Dylan/Davies

Post by jamestkirk »

b]Screams In The Ears[/b] 1967...echoes of Procol Harum
https://www.youtube.com/watch?v=gIIp1hQ37AI

Cited by UNCUT magazine as"The Missing Link Between Nick Drake, Ray Davies and Bob Dylan", Bill Fay's work now has the patronage of a younger generation of musicians to bring Fay the critical accolades he deserved. Fay's supremely creative muse has deservedly come full circle.


8)

Bill Fay is one of English music's best kept secrets. At the dawn of the 1970s, he was a one-man song factory, with a piano that spilled liquid gold and a voice every bit the equal of Ray Davies, John Lennon, early Bowie, or Procol Harum's Gary Brooker. He made two solo albums but his contract wasn't renewed, which left his LPs and his reputation to become cult items. But he never stopped writing, the music kept on coming. Now, in his late sixties, he has produced Life Is People, a brand new studio album that shows his profoundly humanist vision is as strong as it ever was.



Image


Title track...listen first then read on ...struck me like lightening on first listen.
http://www.youtube.com/watch?v=J-slmQGwZec

8)

BILL FAY...dropped by Deram 40 years ago...Fay waited 40 years to release his next album...a new hit album.

Myths & legends have touted that Fay went off the ledge of paranoia because of substance and psychic breakdown -- all of it's nonsense (even MOJO printed such tales in 1998). This new edition of his 1971 classic on the U.K.'s Eclectic label has been wonderfully remastered and contains copious notes by Fay, who dispels falsities and offers a clear view of the LP's origins and processes....(for more read below).



I could listen all day.

Bill Fay - Time Of The Last Persecution - UK DERAM LP MEGA RARE original SML 1079
Bill Fay's much rarer 2nd album from 1971, getting impossible to find nowadays.

Listen. Side One
http://www.youtube.com/watch?v=RffL1sxoWP4

TIME OF THE LAST PERSECUTON 1971
AllMusic Review by Jo-Ann Greene

"Enigmatic" was the tag oft-times tossed 'round Bill Fay, whose loyal cult following grew significantly over the years. Signed to Decca, the singer/songwriter and pianist released two albums in the late '60s and early '70s; their haunting, darkly shadowed songs were never meant to appeal to the masses, even at the height of the psychedelia-streaked introspection sparked by the soul-searching of the day. While the Beatles flew off to meet the Maharishi, Fay fell under the spell of a 19th century compendium of commentaries on the Biblical books of Daniel and Revelations, which would inspire his second album, Time of the Last Persecution. But before the born-agains jump on to the Fay bandwagon, they should be warned that the artist was equally influenced by the ravaging events of the day. The title track, "Time of the Last Persecution," was written in an immediate and visceral response to the killings of four students at Kent State. Even in 1971, the intensity of Fay's lyrics -- reflecting his commentaries in their poetical language, their highly introspective nature, the brooding quality of the music, all exquisitely enhanced by Ray Russell's evocative blues guitar work -- left most reviewers cold and confused. In truth, the album would have slotted much more neatly into the coming firestorm that descended on Britain later in the decade, and would have provided a surprisingly supple bridge between the apocalyptic visions of roots reggae and the political polemics of punk. The set certainly contains all the fire and fury of the latter movement, as well as the deeply dread atmospheres of the former. By 2005, with the rise of evangelicalism and Christian rock, Persecution no longer sounds so obscure or out of place; it is, however, a personal journey of spirituality, not a platform from which to proselytize. For all its dark vision, it's the possibility of peace and hope that shines through the gloom, and as for all the seeming quietude of the music, it thunders, too, with a power and emotion that speak in volumes as loudly as Fay's striking lyrics.


.............................................

BIO

Bill Fay is an English singer, pianist and songwriter whose early releases were made on the Deram label in 1967. Following the release of his second album in 1971, Fay was dropped by the label and no further releases were made until 2005. Fay's 2012 album, Life Is People, was his first album of all-new material since 1971.

Fay was born in north London, where he still lives.

Despite returning to the recording studio in the late 1970s, the follow-up to Time of the Last Persecution did not emerge until January 2005. Entitled Tomorrow, Tomorrow & Tomorrow, it was credited to the Bill Fay Group and was released on the Durtro Jnana label.[4] In 2004, the British label Wooden Hill released a collection of demos recorded between 1966 and 1970 entitled From the Bottom of an Old Grandfather Clock.

The American band Wilco has played Fay's song "Be Not So Fearful" in live performances and the band's singer, Jeff Tweedy, can be heard singing it in the documentary, I Am Trying to Break Your Heart: A Film About Wilco. Fay has joined the band and Tweedy onstage for the rendition of the song at shows at the Shepherd's Bush Empire in 2007, and at the Union Chapel, Islington in 2010 respectively, both in London.

The English singer-songwriter and pianist John Howard recorded a cover version of the song "Be Not So Fearful" for his E.P. Songs for the Lost and Found (2008). The song "Be Not So Fearful" was also covered by Ed Harcourt on the benefit compilation album Songs to Save a Life - In Aid of Samaritans (2011).

A cover version of Fay's "Pictures of Adolf Again", by producer and musician Jim O'Rourke and Wilco drummer Glenn Kotche, can be heard in the film from K#333;ji Wakamatsu, United Red Army.[citation needed] The title track of "Time of the Last Persecution" became a live standard of the British Apocalyptic folk group, Current 93.

The compilation album Still Some Light appeared on the Coptic Cat label in 2010, a double CD containing a mix of older material and newer, home-recorded songs. Life is People, released August 21, 2012 on Dead Oceans, is his first new studio LP in over 40 years.

-WIKI

Albums

Bill Fay (Deram, 1970)
Time of the Last Persecution (Deram, 1971)

Tomorrow, Tomorrow & Tomorrow (Durtro, 2005)
Life Is People (Dead Oceans, 2012)


Compilation albums

From the Bottom of an Old Grandfather Clock (Wooden Hill, 2004)
Still Some Light (Coptic Cat, 2010)

Bill Fay Time Of The Last Persecution
Side Two
http://www.youtube.com/watch?v=8mkuobKwRCE
"After silence, that which comes nearest to expressing the inexpressible is music".

-Aldous Huxley
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Re: BILL FAY-Screams In The Ears-missing link Drake/Dylan/Davies

Post by jamestkirk »

Image

Life Is People 2012..and full album
https://www.youtube.com/watch?v=4d_MATc ... s_1k1onxYD

Stunning return to form

Bill Fay is one of English music's best kept secrets. At the dawn of the 1970s, he was a one-man song factory, with a piano that spilled liquid gold and a voice every bit the equal of Ray Davies, John Lennon, early Bowie, or Procol Harum's Gary Brooker. He made two solo albums but his contract wasn't renewed, which left his LPs and his reputation to become cult items. But he never stopped writing, the music kept on coming. Now, in his late sixties, he has produced Life Is People, a brand new studio album that shows his profoundly humanist vision is as strong as it ever was.

His debut on the underground Decca Nova label, Bill Fay (1970), included spacious big band jazz arrangements by Mike Gibbs, but it was the follow-up, Time Of The Last Persecution (1971), that cemented his reputation – a harrowing, philosophical and painfully honest diagnosis of an unhealthy society and a messed-up planet, that featured the cream of London's fieriest jazz session players such as guitarist Ray Russell. Unable to make ends meet as a musician, Fay wandered through a succession of jobs for years, writing songs privately.

Both solo albums were re-issued in 1998, and when the likes of Jeff Tweedy began singing his praises in the early 2000s, Bill began to come back into view and Wilco even convinced the shy singer to join them onstage in London in 2007.
A few CDs of Bill's early demos and home recordings have since emerged, but Life Is People is his first properly crafted studio album since 1971. He was motivated by American producer Joshua Henry, who grew up listening to his dad's Bill Fay albums on vinyl. Spooling through Bill's home demos, Joshua discovered an incredible trove of material. Matt Deighton (Oasis, Paul Weller, Mother Earth) assembled a cast of backup musicians to bring out the songs' full potential. These include Deighton on guitar, Tim Weller (who's played drums for everyone from Will Young to Noel Gallagher and Goldfrapp), and keyboardist Mikey Rowe (High Flying Birds, Stevie Nicks, etc). In addition, Bill is reunited on several tracks with Ray Russell and drummer Alan Rushton, who played on Time Of The Last Persecution.

And it's a stunning return to form. Ranging from intimate to cosmic, epic but never grandiose, Bill's deeply committed music reminds you of important, eternal truths, and the lessons to be drawn from the natural world, when the materiality and greed threaten to engulf everything.
It's time to recognise one of the great English voices. After nearly 50 years, Bill Fay has finally delivered his masterpiece: as rapturous and soul-stirring as any music you'll hear this year.

(DOC061 released: 08/21/12)
"After silence, that which comes nearest to expressing the inexpressible is music".

-Aldous Huxley
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Re: BILL FAY-Screams In The Ears-missing link Drake/Dylan/Davies

Post by jamestkirk »

BILL FAY - STILL SOME LIGHT

Time To Wake Up Now
http://www.youtube.com/watch?v=Uo3bW9sEkwg&feature=kp




Fay does away with studio gloss


The latest release from the inimitably gifted and discreetly legendary British singersongwriter Bill Fay is an impeccably well-intentioned project. All artist proceeds from sales of this CD go to Médecins Sans Frontières, and the whole package resonates with an air of familial love and mutual respect which gladdens the heart.
Still Some Light combines archival piano/guitar/bass/drums performances from 1970-’71 with a CD of material Fay recorded at home last year. As befits tapes discovered in a loft and “down the back of a sideboard”, the audio quality on the first CD rarely defeats the dust bunnies; but those songs more than make up for it. Fay’s splendidly idiosyncratic perspective informs The Sun Is Bored, Inside The Keeper’s Pantry and the Dylanesque Plan D, while a rough but impassioned reading of the epic Time Of The Last Persecution is hair-raisingly intense.
Disc Two is admittedly a tougher listen: uniformly sombre (if redemption-seeking) in tone, dressing Fay’s dry, double-tracked vocals with quicksand-textured synth pads.
Encouragingly, however, his characteristic ability to pluck an inspired lyric from the farthest corner of left-field is wholly intact (Jericho Road, Anthems) and the simple fact of his continued songwriting presence is worth breaking out the bunting for.


My Eyes Open....brilliant and perfect
http://www.youtube.com/watch?v=g9AvwyEgMgk
"After silence, that which comes nearest to expressing the inexpressible is music".

-Aldous Huxley
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Re: BILL FAY-Screams In The Ears-missing link Drake/Dylan/Davies

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Interview with Bill Fay-Radio 4

http://www.youtube.com/watch?v=wXkEwlYRcXA


8)
"After silence, that which comes nearest to expressing the inexpressible is music".

-Aldous Huxley
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jamestkirk
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Re: BILL FAY-Screams In The Ears-missing link Drake/Dylan/Davies

Post by jamestkirk »

Big Painter...from his newest LP--Life Is People
http://www.youtube.com/watch?v=7nhxh0tJ7Mw

8)
"After silence, that which comes nearest to expressing the inexpressible is music".

-Aldous Huxley
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Re: BILL FAY-Screams In The Ears-missing link Drake/Dylan/Davies

Post by jamestkirk »

"After silence, that which comes nearest to expressing the inexpressible is music".

-Aldous Huxley
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