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DON'T
TRY THIS AT HOME;

Ochre
Records Night
London,
Upstairs At The Garage
Sunday
February 29th
20-22
Highbury Corner, London, N5 1RD
Tel:
020 7607 1818
Nearest
Tube: Highbury & Islington
8pm
12 midnight Pay On Door £6
MIKE
RANDLE (of Love)
+
THE LAND OF NOD
+
90 DEGREES SOUTH
+
A Free Signed by Mike Randle Cd for the best answer on this one
(this
also includes one FREE Pint of your choice!!)
---In
the song SNUG HARBOR, the waitress is also an actress. why is that?---
send yer answer to: doorsbootlegs@hotmail.com
MIKE
RANDLE, lead guitarist in Arthur Lee's Love, headlines the
Ochre Records Night Upstairs At The Garage to promote his forthcoming
Ochre Records album 'Barstool Blues'.
Mike hails
from Los Angeles and has become an integral part of the current
Love line-up, not only on lead guitar but on backing vocals as well,
and has worked with Arthur Lee in Love since 1993. Mike is currently
on Tour in the UK with Love, taking time off to perform this solo
gig, as well as helping with the writing, arranging and recording
of new LOVE material to be released in 2004.
Mike along
with Rusty Squeezebox formed BABY LEMONADE in November 1992 with
David "Daddyo" Green and Henry Liu (who, following protocol
was replaced by Dave Chapple in 1995). They started playing shows
throughout L.A., one of which caught the attention of '60s folk-psycho
legend ARTHUR LEE. Lee fired his band and asked BABY LEMONADE to
back him as the re-formed LOVE. They agreed and, before they even
had time to wash the stars from their eyes, they were bopping around
Europe like they'd been born there. They still worked as BABY LEMONADE,
though, and found time to record the WONDERFUL EP on Sympathy for
the Record Industry in 1993, followed y their debut full-length
for that label, 68% PURE IMAGINATION in 1995. Both received widespread
acclaim, and combined with their LOVE activities everything was
as solid as Johnson until Arthur Lee's "3rd strike" conviction
in 1996 on a bogus charge that brought that "LOVE train"
to a sudden stop.
Carrying
on as BABY LEMONADE, 1998 saw the release of their second LP, EXPLORING
MUSIC, which was released on Big Deal Records. It was heady times.
BABY LEMONADE helped to turn the L.A. underground pop scene into
a buzzword by the end of the decade, along with their friends and
associates in such bands as WONDERMINTS and THE NEGRO PROBLEM. As
2000 approached, Randle and Squeezebox each decided to record solo
albums to explore personal, sonic, and songwriting ground that didn't
fall within the parameters of BABY LEMONADE. Randle's MY MUSIC LOVES
YOU (Even If I Don't) was released simultaneously with Squeezebox's
ISOTOPES on the independent label eggBERT Records in May 2000. A
short UK tour in November was undertaken as well. MY MUSIC LOVES
YOU (EIID) was a dramatic departure from any of Randle's previous
musical endeavors -- reaching out to envelop everything from bossa
nova and kitschy lounge to Prince-style grooviness and the kind
of atmospheric soft rock native only to Southern California.
Following
the release of the solo albums, Randle and BABY LEMONADE reconvened
to begin recording their next opus: THE HIGH LIFE SUITE. After BABY
LEMONADE fullfilled their commitment to their record company, Randle
enrolled at UCLA to study Film Scoring and was writing music for
the as-ever, soon-to-be-released comedy FALLING DOWNSTAIRS, when
he recieved a phone call from Arthur Lee, whose prison sentence
had been overturned by a California court after 5 years behind bars.
At Arthur's
urging, the guys decided to "Fall In LOVE Again" and picked
up where they left off, and have been touring the world ever since,
playing to packed venues everywhere they go; from North America
to Europe, the UK and Australia.
Support on
the night Upstairs At The Garage comes from The Land Of Nod &
90 Degrees South.
THE LAND OF NOD, whose recent Inducing The Sleep Sphere
album on Ochre gained rave reviews in NME, The Wire, Careless Talk
Cost Lives etc and recently had their John Peel Session on BBC.
NME included a review of the album stating " And Cheltenham's
Land Of Nod offer further proof that these cats know a good space-rock
opus when they hear one. With it's glassy stare fixed on the darkest
realms of inner space, 'Inducing...' sounds like the Spiritualized
LP Jason Pierce could never get round to putting words to. A drifting
slush of clicks and pulses, their twin obsessions with the fluffy
end of electronic noise and Belgian sportsman Eddy Merckx could
mean that The Land Of Nod do for cycling what Kraftwerk's 'Autobahn'
did for motorway travel. Got to be worth a go." Whilst David
Keenan in The Wire stated that the album "conjurs the ghosts
of countless experimental German roadgoers" adding, "The
Land of Nod move further into late night atmospherics and moss coated
folk drones, as spiralling metronomic instruments cut up with the
burr of automated telephone exchanges, snatches of shortwave drama
and eerie alien electronics". The album has gained rave reviews
in Italy (5 out of 5 in Rockerilla, 7 out of 8 in Blow
Up) whilst Careless Talk Cost Lives stated "The rising
soar of Elevator, the drifting Loose Contact,
along with the driving Eddy all surge to an inspirational
climax peaking with the title track.
90° SOUTH
meanwhile have recently seen the release of Plans For Travel,
which was the follow up to the critically acclaimed Ochre debut
album from The Barrier Silence and the mini-album on
A.A.R Recordings A Distant Memory Of Home. Plans
For Travel was a collection of nine pieces inspired by classic
journeys and the ground breaking pioneers of land, sea and sky.
From the sleek Schneider trophy winning Supermarine S6 sea plane
and the huge Ekranoplan cold war ground effect craft to the early
electric locomotives and the beautiful Citreon DS. Soundscapes to
take you across oceans and continents by trains, boats and planes,
airships, cars and motorcycles. 90° South first appeared with
the track U.H.F on Decalogue, the tenth
and final installment of the Ochre 10" series and with this
and the following releases picked up comparisons to Labradford,
Calexico and Tortoise. The debut album The Barrier Silence
was based around the themes of exploration and the Antarctic. Italian
music weekly Mucchio championed the album describing
it as haunting, beautiful and minimalist. The mini-album
on the A.A.R label continued the polar theme being based on the
history of a small stuffed Penguin that returned from the Antarctic
with Captain Scotts first expedition and now resides in Cheltenham
Museum.
=====
Mike Randle
mike@lovewitharthurlee.com

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