Anthony Phillips
Notes: A solo album by early Genesis member, Phillips. A very orchestral, yet lyrical album. The theme flows throughout the songs and stands together as a complete piece. The cover art is a lovely pastoral view of the minstrel serenading the ghost in question.
...tralfaz-archives.com
Anthony Edwin "Ant" Phillips (b. 23 December 1951, Chiswick, west London) is an English multi instrumentalist, first known as a founding member of the band Genesis.[1] He played guitar and sang backing vocals until leaving in 1970, following the recording of their second album, Trespass. He left due to suffering from stage fright, after being told by his doctor that the best thing would be to leave the band. He is known for his twelve string guitar work, and his influence can be heard throughout Genesis's early output.
Full double Cd reissue play...
https://www.youtube.com/watch?v=EffLIs0PpKU
The Geese and the Ghost is the debut solo album from former Genesis guitarist Anthony Phillips. It was originally intended as a duet between Phillips and former bandmate Mike Rutherford, but Rutherford's difficulty in devoting time to the project ultimately mandated that he be dropped from co-billing with Phillips to guest musician status. The album was released in 1977 on Passport Records in the US and Hit & Run Music in the UK.
In 1969, just prior to an extensive tour for Genesis, Phillips and bassist Mike Rutherford wrote a good deal of music, committing the material to tape in order to preserve a record of the work. Among the tracks was a piece entitled "D Instrumental", a song that would eventually become the album's title track. Following his departure from Genesis in 1970, Phillips wrote many of the songs that would ultimately constitute the rest of the album. Phillips at this time became more interested in his musical studies and work on the material was put aside until 1973 when he re-connected with Rutherford to work on small projects including a prospective single release, "Silver Song"/"Only Your Love", that included Genesis drummer Phil Collins on vocals. This material convinced Genesis label Charisma Records to front the money for initial work on an album to begin.
Always intending the album project to be a collaboration with Rutherford, Phillips found it difficult to schedule time when the two could work together, as Rutherford's Genesis schedule was proving hectic during the recording of their double album The Lamb Lies Down on Broadway. In 1974, an injury to Phillips' Genesis successor, Steve Hackett, provided the opening Phillips and Rutherford needed and a great deal of work on the album was recorded in October of that year. While Rutherford rejoined Genesis, Phillips continued work on the album until another break allowed them to continue work on the album in the summer of 1975.
With the album in a nearly-finished state in 1976, Charisma Records ultimately decided against releasing it, leaving Phillips without the financing to complete recording. After meetings with Virgin, Phillips put the material aside and concentrated on his burgeoning career in library music and other projects. In October 1976, however, word came that US record label Passport Records was interested in releasing the album. This gave Phillips the impetus he needed to complete The Geese and the Ghost. Still unable to find a UK distributor, Phillips and Genesis manager Tony Smith created the "Hit & Run" label in order to secure a UK release for the album.
Original vinyl album & CD releases / Disc One of double CD re-issue
Vinyl side one
1. "Wind-Tales" - 1:02
2. "Which Way The Wind Blows" - 5:51/5:15
3. "Henry: Portraits From Tudor Times"* - 14:02
-1. "Fanfare" - 0:26/1:03
-2. "Lute’s Chorus" - 2:00/1:37
-3. "Misty Battlements" - 1:15/2:22
-4. "Lute's Chorus Reprise" - 0:52
-5. "Henry Goes To War" - 3:35/4:02
-6. "Death of A Knight" - 2:33/2:10
-7. "Triumphant Return" - 1:46/1:52
4. "God If I Saw Her Now" - 4:09
Vinyl side two
1. "Chinese Mushroom Cloud"* - 0:46
2. "The Geese And The Ghost"* - 15:40
-1. "Part I" - 8:01
-2. "Part II" - 7:39
3. "Collections" - 3:07
4. "Sleepfall: The Geese Fly West" - 4:33
* Second song length denotes times published in liner notes of 2CD Reissue, where different from original release.
Disc Two of double CD re-issue
1. "Master of Time" (demo) - 7:37
2. "Title Inspiration" - 0:31
3. "The Geese & The Ghost - Part One"* (basic track) - 7:46
4. "Collections link" - 0:39
5. "Which Way The Wind Blows" (basic track) - 6:25
6. "Silver Song" (Geese sessions) - 4:22
7. "Henry: Portraits From Tudor Times"* (basic track) - 5:37
1. "Fanfare"
2. "Lute's Chorus"
3. "Lute's Chorus Reprise"
4. "Misty Battlements"
8. "Collections" (demo) - 4:14
9. "The Geese & The Ghost - Part Two"* (basic track) - 7:30
10. "God If I Saw Her Now" (basic track) - 4:15
11. "Sleepfall" (basic track) - 4:22
12. "Silver Song" (unreleased single version, 1973) - 4:14
The Lutes Chorus Reprise section of Henry (which was edited from the original release of the album) is only included on the 2 CD re-mastered edition.
The 1990 Virgin CD re-issue included the demo version of "Master of Time" (recorded in August 1973) as an extra track.
An amazing lineup
* Anthony Phillips; Guitars, Bass, Dulcimer, Bouzouki, Synthesizer, Mellotron, Keyboards, Piano, Celesta, Drums, Percussion
* Mike Rutherford; Guitars (Electric, Acoustic, Classical & 12-String), Bass, Keyboards, Synthesizers, Drums, Percussion
* Phil Collins; vocals (2, 4)
* Rob Phillips; Oboes (11, 12, 14)
* Lazo Momulovich; Oboes, Cor Anglais (3, 11), Organ
* John Hackett; Flutes (9, 13, 14)
* Wil Sleath; Flute, Baroque flute, recorder, piccolo (3)
* Jack Lancaster; Flutes, Lyricon (14)
* Charlie Martin; Cello (10-12)
* Kirk Trevor; Cello (10-12)
* Nick Hayley; Violins (11, 12)
* Martin Westlake; Timpani (3, 10-12)
* Tom Newman; Hecklephone and bulk eraser
* Viv McCauliffe; Vocals (4)
* Send Barns Orchestra and Barge Rabble conducted by Jeremy Gilbert
* Ralph Bernascone; Soloist
* David Thomas: Classical guitar (15)
* Ronnie Gunn: Harmonium (15)
