BUZZY LINHART-'64 raga, Famous:Buzzy Linhart Story

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jamestkirk
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BUZZY LINHART-'64 raga, Famous:Buzzy Linhart Story

Post by jamestkirk »

Happy Birthday, Buzzy Linhart!


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Paul Simon, Me, and Buzzy Linhart onstage at the Agora, 1979.

Sunday, March 3, 2013

There It Goes Again, Buzzy at Cafe Wha?. New York 1974
https://www.youtube.com/watch?v=6ZM2t_NWkLw


Today is Buzzy Linhart's 70th birthday. I dated Buzzy for a year or so in 1979-1980. Then he moved out of state and we eventually fell out of touch, but I've been thinking about him lately and have reconnected with him and the reason is this: I want Buzzy to know what a profoundly positive effect he has had on my life. From people he introduced me to, to experiences we shared, to his songs which have become part of the ingrained soundtrack of my life, to my actual physical health, I owe so much to this man. If you don't know who Buzzy is, you should. Read on, and you will.

....................

Who is Buzzy Linhart?
The Buzzy Linhart Story[/size=3]
You can also go below to watch the entire movie for free!
https://vimeo.com/15475802

....................


When I was 17 or so I appropriated my older brother's Buzzy Linhart record, P#ssycats Can Go Far, and by the time it finished playing I decided that this was the man I would marry someday. His open, smiling face on the cover, his blatantly joyous voice, his transcendent vibraphone and tumultuous guitar playing, his charming, disarming, utterly unique style...I wanted to be part of all that.

Some months later my friend Jeanne and I, having procured fake IDs (age: 21!) at a photo kiosk in Terminal Tower, went to see Buzzy perform at the Cellar Door in Cleveland Heights. Many of the details are lost to me now, but I did meet him that night, and we started dating when I was 19. He was in his mid 30's.

When my mom expressed concern over our age difference, Buzzy instantly volunteered to come meet her. He sat in the living room being his witty and endearing self, chatting amiably about this and that, talking in goofy voices, and eventually pulling out his guitar and singing her a couple of songs. There were no further complaints from mom.

Yes, he was twice my age, but quite honestly, I think we had a mutually beneficial relationship. He got to date a cute young thing who adored him; I got to date a musical idol and have many a fun adventure. He was always honest with me. I knew he was dating other girls and at that point in my life, that was fine with me. I got over wanting to marry him and settled for having a helluva good time whenever we hung out. While he clearly had his faults, I don't recall a single harsh word between us. We enjoyed each other for who we were.

And as a then-19 year old, dating Buzzy had a pretty awesome coolness factor. He had had a huge presence in the NYC folk and rock scene in the 1960s and early 70s and played with artists as diverse as Fred Neil, Richie Havens, Buffy Sainte-Marie, Eric Clapton, and many more. He told me stories about hanging out with Jimi Hendrix and playing on one of his albums. He had shared an apartment in the Village with John Sebastian of the Loving Spoonful. He co-wrote the song Friends, which became known as Bette Midler's signature song and later was the theme music for Sesame Street. He dated Carly Simon. He played a naked hitchhiker (Full frontal male nudity; shocking!) in the 1974 movie Groove Tube. And I saw him play enough times to know for myself what an insanely talented and an incredibly charismatic performer he was. I never tired of hearing him sing and play.

Plus he was just plain fun to be with. He would often break into these crazy cartoonish voices and imitations and goofy made-up-on-the-spot song lyrics. He took me to hear and meet countless local and several nationally known musicians. I often heard his own band at the time, Buzzy Linhart and The Buzzards. This band, when they eventually parted ways with Buzzy, became The Generators, a pretty popular local rock band who owed their very existence to Buzzy. He took me to watch a recording session he did with folk and comedy troubadours Willio and Phillo. They made a mock commercial for dolphin food and Buzzy played the voice of the dolphin. Another time he had me, along with his sister Abby, sing backup vocals for one of his own recordings of a song called Resurrection Rag.

Like many musicians of his generation, Buzzy had done his fair share of drug use and abuse, but at the time I met him he was on a pretty extreme health kick and was not doing drugs at all. I was a vegetarian when I met Buzzy and, though pretty health conscious myself, I was duly impressed when I watched him thoroughly rinse his organic brown rice in the sink and then do a final rinse with spring water to remove any last trace of chlorine and fluoride. This guy was hardcore. Later he convinced me that adding meat back into my diet would be in my best interest and took me to earth by april, where we dined on Red Snapper Amandine. It was delicious and I felt a rush of energy eating it. I eventually added other meats back in, and he was right; I felt better. I wonder if I'd be eating Paleo now-- a diet which has given me vast improvement in my health and well being-- were it not for his influence back then.

One of the most memorable adventures we shared was when Paul Simon came to town to film One Trick Pony. Buzzy and Paul had hung around many of the same NYC clubs and coffee houses in the 1960s and '70s, so they knew each other fairly well. So Paul Simon came to see Buzzy play at the old Agora Theater on E 24th some months before he came to shoot the movie, and I got to meet him then. And when the filming started, Buzzy and I were extras and hung out on location at the Agora for about a week, and then for an additional day of filming at Baldwin Wallace College. And we got paid for it too! During the course of the filming I got to pal around with Paul and Buzzy a lot. I also played pinball with Tony Levin and Richard Tee, chatted with Steve Gadd, met John Sebastian and Tiny Tim, and hung out with Buzzy in the B-52s trailer. And I got to be Mare Winningham's stand-in for a day too. She was very friendly. Told me if I was ever in LA to come visit her.

Paul Simon was sweet and unassuming. Just about every time he's come though town since then, I've gone backstage to say hi. I took my friends Sue and Ray to meet him when the Graceland tour came to the Coliseum, and most recently, I took my pal Rachel to see him on his 2011 tour at EJ Thomas Hall in Akron. She snapped a few pics for me.


Of course, none of this hobnobbing with one of the most famous musicians in the whole wide world would have been possible without my own personal musical ambassador, Buzzy Linhart.

And I have Buzzy to thank for introducing me to the chiropractors at the Geneva Chiropractic Clinic. In fact, my very first treatment was when Buzzy arranged to have Dr Daniel Duffy, the founder of the GCC clinic, come to the set during the filming of One Trick Pony and treat the cast and crew. He spent the afternoon treating one person after the next, including Paul Simon himself. At the end when he was about to close up shop, Buzzy asked if he could take one more patient, and that was me. Although only 19, I had been having chronic lower back pain for several years. Dr Duffy put me on the table, did a few magical adjustments, and bingo, the pain was gone and never came back. He winked at me and said, “That one's a freebie.” I've been going back to the GCC ever since and they have been a major source of both health care and information. I have referred many clients to them over the years who have had equally good results. And this is all due to Buzzy's influence.

I talked to Buzzy for over an hour last night. He played a couple of his songs over the phone for me, including the Resurrection Rag song that I sang backup vocals on. He frequently interrupted our chat with instructions given to his friend Larry who was helping prepare his dinner. He broke into funny voices. He told me tales of pain, hardship and woe, instantly followed by assertions that everything was sure to work out okay.

Sadly, Buzzy himself is not in the best of health now. And he has never quite reached the level of fame and fortune that he might have enjoyed. He, like most of us, is an imperfect soul; and like most of us, he has sometimes worked against himself and fallen short of his own goals. But he has touched literally hundreds of thousands of lives with his music, and those of us who have been lucky enough to know him personally have been blessed and impressed with his many talents, his warmth, his drive to improve himself, his all-out goofy and fun-loving spirit, his generosity and his willingness to give all of himself. And if that isn't fame and fortune, I don't know what is.

.................

Dear Buzzy-- Happy Birthday! I hope you have a delicious day and a delightful year, surrounded with warmth, laughter and love. And remember: the check is in the mail, the rainbow is just around the bend, you are brightest star in the story of your life, and the Love is STILL growing. Sing joy!

.................

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"After silence, that which comes nearest to expressing the inexpressible is music".

-Aldous Huxley
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Re: BUZZY LINHART-'64 raga, Famous:Buzzy Linhart Story

Post by jamestkirk »

BIO...be sure to scroll down to Buzzy's fine 70th Birthday tribute by an old friend.

Thanks Buzzy for all the music!
I hope this opens eyes and ears to your great legacy and maybe opens wallets to buy your music!! You deserve it, Buzzy!

The Buzzy Linhart story right below....
Famous: The Buzzy Linhart Story
https://www.youtube.com/watch?v=kf19NGXa0oM




See latest posts below for news of newly discovered unheard music and more from & about Buzzy...

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BUZZY LINHART
Hendrix loved Buzzy-played vibes for hendrix LPs on vibes.....buzzy was classically trained at 7 years old. Became a brilliant guitarist...

Talk About A Morning!...a rare video of Buzzy WAYYY back in the daze.
http://www.youtube.com/watch?v=abVRq0vY ... LhnYwO_03S

There It Goes Again
http://www.youtube.com/watch?v=6ZM2t_NW ... re=related

FRIENDS--his classic number
http://www.youtube.com/watch?v=Plv0aV2w19A

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Artist Biography by Joe Viglione-Allmusic Guide

Buzzy Linhart was born March 3, 1943, in Pittsburgh PA. His mother, Agnes Linhart, was a music educator. His first musical inspiration was when he heard the crows singing in the 1941 Walt Disney animated feature Dumbo. His dad was in a Mason lodge as grand master, Linhart told AMG in a May 2002 interview: "He played some percussion and did novelty songs with an act called the Cornpoppers in their lodge so I saw this stuff when I was two and three years old. Rock & roll wasn't in yet, my parents liked to produce shows....They would do these big stage extravaganzas, a lot of music from the 1890s, they would write entire shows...including minstrel shows, so I really heard a lot of good live music when I was very young." He started taking classical drum lessons and performed in the grade-school orchestra at seven years of age.

On Buzzy Linhart's first band: "When John Coltrane played it was just deeper. I've been trying to hire musicians that give you those goose bumps since I was starting my first band at age 11, the Five Diamonds. It was Dixieland, and we were reading out of the famous combo/orch books." He later formed the Bel-Aires, not the Scottish group of the same name, always having a band through junior-high and high school, sometimes under his own name. He studied classical xylophone and jazz xylophone with the mallet man for the Cleveland Symphony Orchestra, Robert Matson, "I got college-level music training when I was 13 and 14, and when I went into the Navy Conservatory's college-level school of music." He drove to D.C. to join the Navy Symphony and they took him even though Linhart was 4-F. "Their plan was to use me just playing music." He caught emphysema during the Cuban Missile Crisis from fighting a fire, also "a guy was killed ten feet from me on watch," creating post-traumatic stress disorder. He was 19 when he was let out of the navy: "Took my vibes in a car with this wild guy named Goose from Jersey City who got out through the psych ward like I did and we drove straight down to Miami to my friend's house 'cause he had written me a letter about the folk scene down there."

On a tour of the coffeehouses, a 1943 Jaguar pulled up and it was a 19-year-old David Crosby. Crosby drove them to a club where he played with his brother, Chip Crosby, joined on-stage by Mama Cass Elliot. Fred Neil came in the next night. Simultaneous with this, Linhart auditioned for Tennessee Williams, and Williams' office immediately called to invite Linhart to be on staff as an actor for the entire season. That same evening Linhart saw Fred Neil and Neil asked Linhart to play vibes with him. "I called Tennessee Williams' office the next day, I was young and didn't quite realize what was happening...I wanted to play with him [Fred Neil] so badly that I called Tennessee Williams' office back and said, 'Could you please tell him I'm very sorry but I can't work with him this season [laughing now at the absurdity of what he was doing] but I certainly would enjoy working with him some time in the future.'" So he joined the folk-rock scene "and started really starving." He began hanging out with Tim Hardin, Fred Neil, Dylan, "it was crazy the quality of music we were exposed to."

The first record Linhart tracked in New York was Buffy Sainte-Marie's "Timeless Love" with Felix Pappalardi arranging and Linhart on vibes. Buzzy Linhart performed in a trio with Tim Hardin and Pappalardi at this time, also playing vibes for Richie Havens at the Night Owl. Record exec Lou Reizner cut demos with Linhart and courted him to sign with Mercury; but it wasn't until he was opening act for Mitch Ryder & the Detroit Wheels in London that he re-connected and signed a deal with Reizner, resulting in the first album titled simply Buzzy in 1969. Two albums were released in 1971: Music, titled after his band of the same name, and The Time to Live Is Now. He appeared on Carly Simon's 1971 debut as did his song "The Love's Still Growing." In 1972, Kama Sutra released another album called Buzzy (The Black Album), which insiders dubbed "The Black Album" so as not to confuse it with his 1969 debut LP. 1974 saw the release of P#ssycats Can Go Far on Atlantic. His legacy is rich and impressive, appearing on Cat Mother & the All Night Newsboys' 1973 disc, Last Chance Dance, as well as performing vibraphone on tapes by a producer of the Cat Mother group, his friend Jimi Hendrix.

First Rays of the New Rising Sun At an April 2002 event on behalf of Linhart in New York City, producer/engineer Eddie Kramer gave insight into what Jimi Hendrix wanted for his First Rays of the New Rising Sun project, and how he came to put Linhart's vibes on the original Cry Of Love album. Artists like Jake & the Family Jewels, LaBelle, Barry Manilow, John Sebastian, Mother's Finest, his friend Moogy Klingman, and many others have had "the Buzzman" songs or musicianship on their various recordings. Two excellent compilations released by Klingman give history and detail: Old Times, Good Times: A Musical History and The Buzzy/Moogy Sessions, 1983-1994. Perhaps Linhart's best-known composition is one that has graced numerous Bette Midler albums and has become something of a theme song for her, a tune he co-wrote with Mark Klingman, "Friends." It also states he was the music director of The Groove Tube, and composed the score for the film Rush It, starring Tom Beringer. Linhart even wrote the music for the off-Broadway musical, The Trials of Oz.

In August 1998, Linhart appeared on the debut of Fox and Friends morning news magazine on the Fox News Network. They used a clip of him singing as a music bumper for a couple years after that. He and Moogy Klingman appeared on their third-anniversary Fox and Friends show, performing "Friends" for 177 countries simultaneously. Linhart's later collaborators include rhythm guru Muruga, George Clinton, Buddy Miles, David Peel, Harvey Mandel, and the Cannabis Healers. His BuzzArt Publishing Company has 15 songs entitled BuzzArt Publishing Catalog, Vol. One. His webpage also notes that Buzzy Linhart lives in the Bay Area of Northern California. Although he is in a wheelchair due to degenerated knees, he continues to write, record, and perform to the extent he can with his current health issues.


=)
"After silence, that which comes nearest to expressing the inexpressible is music".

-Aldous Huxley
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Re: BUZZY LINHART-'64 raga, Famous:Buzzy Linhart Story

Post by jamestkirk »

BUZZY LINHART

Buzzy rocks the blues! Cookin' vibes, guitar, bass!! And what a brilliant vocalist!
Cheat Cheat-Lied/Hit The Road Jack
http://www.youtube.com/watch?v=QRCcI5aiOmE

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Buzzy Linhart (born March 3, 1943) is an American rock performer and musician.

Born William Linhart in Pittsburgh, Pennsylvania, he began honing his craft playing percussion for symphony at the age of seven, switching to vibraphone at ten. (It is not known specifically when he actually acquired his nickname of "Buzzy.") At fourteen he entered the Cleveland Music School Settlement which was a world renowned conservatory of music. Because of this training he led bands all through school and at the age of 18 entered the U.S. Navy School of Music as a percussionist. In 1963, he moved to New York City and became friends and roommates with John Sebastian. He also became a protÈgÈ to the senior guitarist and folk singer Fred Neil. One of his first bands, with fellow musicians Steve De Naut, Serge Katzen, and Max Ochs, was the Seventh Sons, who released one influential raga-rock LP for ESP Records. Buzzy eventually released a series of solo albums from the late 1960s to the mid-1970s starting with his Philips debut buzzy (the title with a small "b") in 1969.

His prowess on the vibraphone found him performing as a session musician on recordings by Buffy Sainte-Marie, Richie Havens, Carly Simon, Cat Mother & the All Night Newsboys, and Jimi Hendrix (on the Cry of Love album).

Perhaps Linhart's biggest claim to fame was his joint authorship and composition of "(You Got To Have) Friends," a collaboration with Mark "Moogy" Klingman, which became singer Bette Midler's de facto theme song.



This was the end of his major label career, but although he never achieved commercial success, Linhart has continued to write, record, sing and compose music to this day. He also achieved some notoriety from his appearance in the opening sequence of the cult movie The Groove Tube, as a hippie hitchhiker. He was also a regular on the 1976 television show "Cos", starring Bill Cosby.



Discography

* P#ssycats Can Go Far - (Atco Records, 1974)
* Buzzy (The Black Album) - (Kama Sutra Records, 1972)
* The Time to Live is Now - (Kama Sutra Records, 1971)
* Music - (Eleuthera Records, 1970)
* buzzy - (Philips Records, 1969)

Friends
http://www.youtube.com/watch?v=wmhF2WGcX-o

Shoo That Fly
http://www.youtube.com/watch?v=UBbEbdfwOjg

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That's The Bag I'm In 1971
http://www.youtube.com/watch?v=dMjjZ-pk-hM

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"After silence, that which comes nearest to expressing the inexpressible is music".

-Aldous Huxley
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jamestkirk
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Re: BUZZY LINHART-'64 raga, Famous:Buzzy Linhart Story

Post by jamestkirk »

You've Got A Reputaion

Buzzy was something LIVE!
http://www.youtube.com/watch?v=Jr0W9fuWNQk

[size]Tribute to Buzzy at the Bottom Line NYC[/size]
http://www.youtube.com/watch?v=VEJkMMD1kr8

Yah that' the ageless Buzzy in the center! Glad he survived his health scare.

End Scare-1968
http://www.youtube.com/watch?v=keBLprZm87M

Everybody's Got to learn to get along...together
http://www.youtube.com/watch?v=Zx8pvIIV_r4

If You Love Me
http://www.youtube.com/watch?v=H7SA2lF1_os

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Last edited by jamestkirk on Tue Jul 05, 2016 6:41 pm, edited 1 time in total.
"After silence, that which comes nearest to expressing the inexpressible is music".

-Aldous Huxley
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Re: BUZZY LINHART-'64 raga, Famous:Buzzy Linhart Story

Post by jamestkirk »

Buzzy Linhart & Seventh - Raga (4 A.M. At Frank's) 1964 on ESP-Disk

Buzzy moves through the years to create so much incredible music...keep listening below...
Think, Crosby & Nash stand somewhere in the Canyon, with a few friends on percussion and flute.

RAGA (4AM At Farnk's) A strange trip indeed.
http://www.youtube.com/watch?v=QkAJRnvyUp4

Name another raga-freakout from 1964 that lasts over 30 minutes. or TEN! Pretty far-out stuff and pretty damn good by an amazing unheralded talent in Buzzy Linhart.

...this wax originally came out to less than light applause on the ESP-Disk label so it's indubitably of use to the serious layabout and hep groover to enable a cat to get a better perspective on the goings on in the outer world of straight citizenry...ESP style swill, if listened to in the right circumstances, will keep a right thinking cat going down the right corridors and pathways of the second layer galaxy that exists next to the cuboid dimension but keep the two from colliding...nothing worse than grooving down the boulevard and 'hix-from da-stix', the ever present skanky pod people messing with the karma and possibly ruin a blissed hazy head, no sir, ESP will save the day and this buzzy linhart/seventh sons joint is no exception...old buzzy was getting plenty hep in the mid '60s with picking up on the drone that was happening in avant garde circles aswell as the influence of the indian sitar mesmerising more than a few beatnix in big cities...it's just one long groove called appropriately 'raga' and it's a stone cold solid gone noodle that hangs well when spun in rotation with amon duul on those afternoons when walls melt letting the truth flow... --spacedsaviour.com

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"After silence, that which comes nearest to expressing the inexpressible is music".

-Aldous Huxley
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