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Music Appreciation...thread DEAD! Check the new one!

Posted: Wed Apr 20, 2011 6:46 pm
by jamestkirk
This thread has grown so and I forgot it completely! It's like reading a book of the greatest music ever recorded! Thanks all!

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Everyone has a defining moment(s) in their music-appreciation personal history.
Mine was growing up in the 60's psych era. For me, nothing evokes the period of mind tripping music & puts me back in that place like Country Joe & the Fish's 'Electric Music For the Mind & Body' or "When The Music's Over"....or "In My Life" or....you get me.

.......all part of the mind expanding 60's, Vietnam protests, shouts of revolution & revolutionary music. Amazing time!!

So here we can share our music appreciation for all the is the golden age of ROCK!

Let's hear it for ROCK AND ROLL!!


:D

BIG STAR!

Posted: Wed Apr 20, 2011 6:47 pm
by jamestkirk
Today we have a forgotten monster of rock! Maybe not forgotten here but by the masses.

BIG STAR

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Big Star is an American rock band formed in Memphis, Tennessee, in 1971 by Alex Chilton, Chris Bell, Jody Stephens and Andy Hummel. The group broke up in 1974, but reorganized with a new line-up nearly 20 years later. In its first era, the band's musical style drew on the work of British Invasion groups including The Beatles and The Kinks, as well as The Byrds, The Beach Boys, and other U.S. acts. To the resulting power pop, Big Star added dark, nihilistic themes, and produced a style that foreshadowed the alternative rock of the 1980s and 1990s. Before it broke up, Big Star created a "seminal body of work that never stopped inspiring succeeding generations" in the words of Rolling Stone,[1] earning recognition decades later, according to Allmusic, as the "quintessential American power pop band" and "one of the most mythic and influential cult acts in all of rock & roll".-WIKI

Back Of A Car
http://www.youtube.com/watch?v=hsPKKuQm ... re=related


Thirteen
http://www.youtube.com/watch?v=pte3Jg-2 ... re=related

I'm In Love With A Girl
http://www.youtube.com/watch?v=QIfPIwWn ... re=related

Ballad Of El Goodo
http://www.youtube.com/watch?v=Cn1t6l7U ... re=related

Keep it going if you like...great stuff!

Posted: Thu Apr 21, 2011 2:16 pm
by jamestkirk
I was just reading an article that reminded what an amazing time it was to be alive then,
a teen, and listening to the music of 1967.

Here's some of the greatness of that year:
-Forever Changes
-Velvet Underground & Nico debut
-Sgt. Pepper's & Magical Mystery Tour
-Small Faces "Itchycoo Park"
-Moby Grape debut
-Absolutely Free
-The Doors & Strange Days
-Surrealistic Pillow, After Bathing At Baxter's
-Piper At The Gates Of Dawn
-Disraeli Gears
-Wild Honey & Smiley Smile
-Alice's Restaurant
-Safe As Milk
-Goodbye & Hello
-Ten Years After debut
-Easter Everywhere
-Song Cycle
-David Bowie debut
-Procol Harum debut
-Younger Than Yesterday
-Mellow Yellow
-Buffalo Springfield debut (For What It's Worth inclusion LP) & Buffalo Springfield Again
-Grateful Dead debut
-Satanic Majesty's Request
-The Who Sell Out
-Jimi Hendrix Experience & Axis: Bold As Love
-Animals "Winds Of Change"
-Bee Gees 1st
-Otis Redding records "Sittin' On A Dock In The Bay"
-Sly & The Family Stone form
-Blue Oyster Cult form
-Captain Beefheart career starts
-The Stooges career starts
-Creedence Clearwater career starts
-Chicago & The first Edition career starts
-Genesis formed
-"Days Of Future Passed" debut

John Coltrane, Otis Redding, Brian Epstein & Woody Guthrie .......RIP

An important year in music, to be sure. What a time!

Posted: Fri Apr 22, 2011 2:53 pm
by silentseason
An important year in music, to be sure. What a time![/quote]

Never a truer statement made. I think the era spanning '65-'71 blows away any other era in pop/rock music as far as originality and creativity, and by a wide margin. In that time frame the apex was reached in '67. Very sad (but inevitable) that that peak couldn't be maintained for a longer time. Something that intense has, what Peter Tork later used to describe his group, "a built in half-life".

In regards to '67, it still boggles the mind to think that bands like the Doors, Love, Beatles, Stones, Who, et al were actually walking around the earth at the same time in full creative powers, producing music.

What a time indeed.

Posted: Sat Apr 23, 2011 12:00 am
by jamestkirk
JOHN MARTYN today!! Beautiful folk jazz!

In The Evening
http://www.youtube.com/watch?v=VXCDL-kP ... re=related


Fine Lines
http://www.youtube.com/watch?v=kLFZ-bKR ... re=related

and some early music....RUN HONEY RUN!!
http://www.youtube.com/watch?v=zLf-jLIb ... re=related

Posted: Mon Apr 25, 2011 6:30 pm
by jamestkirk
silentseason wrote:An important year in music, to be sure. What a time!
Never a truer statement made. I think the era spanning '65-'71 blows away any other era in pop/rock music as far as originality and creativity, and by a wide margin. In that time frame the apex was reached in '67. Very sad (but inevitable) that that peak couldn't be maintained for a longer time. Something that intense has, what Peter Tork later used to describe his group, "a built in half-life".

In regards to '67, it still boggles the mind to think that bands like the Doors, Love, Beatles, Stones, Who, et al were actually walking around the earth at the same time in full creative powers, producing music.

What a time indeed.[/quote]Right, SS!

Some JAMES GANG & Joe Walsh today!!


THE BOMBER!
So great!!
This three piece opened for Led Zeppelin in Cleveland and the audience didn't want Zep to come on...just wanted MORE JAmes Gang!!

http://www.youtube.com/watch?v=u1yiCyCv ... re=related
:mrgreen:

Emily Bindiger

Posted: Mon May 02, 2011 9:07 pm
by jamestkirk
EMILY BINDIGER-

widely unknown back when she recorded her debut album in 1969 (released 1970) at the age of 16.

Here is a fine track from that album "EMILY"
OLD LACE....great flute rave up
http://www.youtube.com/watch?v=-iqpL6_q3Lg


Flying Teapot...from Cowboy Bebop blue....still recording
http://www.youtube.com/watch?v=YKL88_jLYgM

:mrgreen:

Posted: Sat May 07, 2011 3:57 pm
by jamestkirk
....Everyday I want to fly my kite!!!

[font=Courier New]Sir Stevie Wonder[/font=Courier New][/size=6]

...and everyday I want to get on my camel and ride!

What a great album that foretold his CLASSIC period..his genius trilogy and Triumvirate....well this ain't too shabby either.....

"MUSIC OF MY MIND"[/size=3]

"Love having you around"
http://www.youtube.com/watch?v=Ow6JWVmc0tA

"HAPPIER than the Morning Sun"..this gets me up!!!
http://www.youtube.com/watch?v=jOlycEMV ... re=related


SUPERWOMAN (Where were you when I needed you?)
http://www.youtube.com/watch?v=A2lNf2WH ... re=related


...very well.




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Posted: Fri May 27, 2011 6:54 pm
by jamestkirk
Colin Blunstone of Zombies fame.

Another shameful lack of interest, then and now, in his two long players from 1970 & 1972.....or for his releases since

Although Colin has a solid following and has kept active (& enjoyed some success in the early 70's with a couple singles) throughout the years, he is more a cult artist than mainstream...but why in the hell am I complaining....?

We never care for mainstream here anyway!! One of the most haunting and smooth voices ever!!


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Misty Roses (Tim HARDIN, of course!)...what a fine cover...get the unusual string quartet break....
http://www.youtube.com/watch?v=QgdiDcxt2yI

She Loves The Way They Love Her
http://www.youtube.com/watch?v=KMvrohXz ... re=related

Caroline Goodbye
http://www.youtube.com/watch?v=AA-e1nqR5qI

I Hope I Didn't Say Too Much
http://www.youtube.com/watch?v=mxDVF5BJ ... re=related

Though You Are Far Away
http://www.youtube.com/watch?v=eskleVvIxNE


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Posted: Mon May 30, 2011 5:50 pm
by jamestkirk
JIMMIE SPHEERIS

.....great talent and tragic end only hours after competing his "come-back" album....adrunk driver struck his motorcycle....


From his first album....

FOR ROACH
http://www.youtube.com/watch?v=slqFF3IF ... re=related


The Nest
http://www.youtube.com/watch?v=Y30P9OMZ ... re=related

I Am The Mercury
http://www.youtube.com/watch?v=aCLl9rof ... re=related


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One of those "should have beens"...as successful as Fogelberg or Browne.

Posted: Wed Jun 08, 2011 9:26 pm
by jamestkirk
MOON--The Earth Without The Moon

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The Moon - Without Earth & The Moon (1968 - 1969) The Moon was a short-lived late-'60s psych-pop "supergroup," notable for featuring ex-Beach Boy David Marks on lead guitar. 20-year old Marks had, by then, enjoyed quite a career. At 14, circa 1962, he joined the Beach Boys as a rhythm guitarist (the Wilsons were his neighbors in Hawthorne, CA) when Al Jardine left their lineup to attend dentist school. Marks appeared on the first four Beach Boys albums and several hit singles, including "Surfin' U.S.A." and "Surfer Girl." When Jardine returned, Marks, just 16, became the leader of Dave & the Marksmen, who had localized hits with "Cruisin'," "I Wanna Cry," and "I Could Make You Mine." Marks then formed the Band Without a Name, who recorded two singles for Tower and Sidewalk and were the house band at two Sunset Strip clubs, circa 1965-1966. After leaving this group, Marks formed the Moon with organ/pianist/vocalist Matthew Moore, who penned most of the band's songs. Moore's previous group, Matthew Moore Plus Four, had recorded for GNP Crescendo, and also solo material for White Whale and Capitol. The other Moon members were bassist David Jackson (ex-Hearts & Flowers, who had two LPs on Capitol in the late '60s) and drummer Larry Brown (ex-Davie Allen & the Arrows and a veteran of countless film soundtracks and those Sidewalk/Tower releases that were produced by Mike Curb). The members of the Moon literally moved into Continental Recorders in Hollywood, where they recorded two albums — 1968's Without Earth and 1969's The Moon — for Imperial. Today, Marks admits these were produced under the influence of LSD, and sound "like a cross between the Bee Gees, the Beatles, and Jimi Hendrix." The group's membership also included bassist Andy Bennett and session drummer Jim Keltner occasionally filling in.
After the Moon dissolved, Marks began working as a studio musician with Denny Brooks, Delaney & Bonnie, and others. Marks, Moore, and Jackson later worked together — alongside members of Colours and the East Side Kids — on Buzz Clifford's See Your Way Clear album. Marks also joined Mike Love's Beach Boys, but was forced to leave due to his own battle with Hepatitis C. He founded the non-profit Artists Against Hepatitis foundation and became the national spokesman for the Hep C Hope Foundation. More recently, he still finds time to tour with Beach Party!, made up of former members of the Boys' touring band. Moore, meanwhile, joined Joe Cocker's 1970 Mad Dogs and Englishmen Tour, which was captured on vinyl and film for posterity's sake (Cocker performed Moore's "Space Captain"). Moore then went on to have a successful career as a session vocalist and keyboardist, recorded solo albums, and even had his own label, New Decade. David Jackson went on to become the bassist with Dillard & Clark. Larry Brown played with Gunhill Road, Tony Allwine, and was the official voice for Mickey Mouse.


PIRATE
http://www.youtube.com/watch?v=6TFvCSOV3rg

Got To Be On My Way
http://www.youtube.com/watch?v=lar6_at6 ... re=related

Someday Girl
http://www.youtube.com/watch?v=UTUap2U6 ... re=related

Pleasure
http://www.youtube.com/watch?v=fr_FpRll ... re=related

Brother Lou's Love Colony
http://www.youtube.com/watch?v=OiMV1eSP ... re=related

well...most of the tracks are on youtube for your pleasure and there are multiple free d/l's out there!



CHEERS all!





1. Mothers And Fathers
2. Pleasure
3. I Should Be Dreaming
4. Brother Lous Love Colony
5. Got To Be On My Way
6. Someday Girl
7. Papers
8. Faces
9. Never Mind
10. Give Me More
11. Shes On My Mind
12. Walking Around
13. Pirate
14. Lebanon
15. Transporting Machine
16. Mary Jane
17. Softly
18. Not To Know
19. The Good Side
20. Life Is A Season
21. John Automaton
22. Come Out Tonight
23. Mr Duffy
24. Pirate Song (Mono 45 Mix) (Bonus Track)
25. Not To Know (Mono 45 Mix) (Bonus Track)
26. Face In The Crowd (Matthew Moore Plus 4) (Bonus Track)
27. White Silk Glove (Matthew Moore Plus 4) (Bonus Track)
28. Come On Home (Matthew Moore Plus 4) (Bonus Track)

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Posted: Mon Jun 13, 2011 5:29 pm
by jamestkirk
JULY/July 1968


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July were a psychedelic rock band from Ealing, London that were professionally active between 1968 and 1969. The band's music was a blend of psychedelic rock and pop, marked by lush harmonies, acoustic guitars, keyboards, and intricate lead guitar work. Although none of the band's records managed to chart in the UK or the U.S., July are today best remembered for their songs "My Clown", "Dandelion Seeds", and "The Way", which have all been included on a number of compilation albums over the years.

There is some dispute regarding the band's origin: according to encyclopaedia author Colin Larkin, the Allmusic website, and a number of other sources, the band's origin can be traced back to a late 1950s skiffle group named the Playboys, which later transitioned into a rhythm and blues band and changed their name to The Thoughts, before finally becoming The Tomcats.[1][3][5][6] However, in a 2009 podcast interview the band members themselves disputed this history, calling it "a misunderstanding".[7] According to the band, they initially formed in the early 1960s as The Dreamers and began playing music that was influenced by The Shadows and the Everly Brothers amongst others.[7] The Dreamers soon changed their name to The Tomcats, however, due to the national success that Freddie and the Dreamers were enjoying at the time, and they also transitioned into playing harder rhythm and blues music, influenced by the likes of Chuck Berry and Bo Diddley.[7] The original Tomcats' line-up included guitarist and singer Tom Newman, bassist Alan James, lead guitarist Peter Cook, and drummer Chris Jackson, but this incarnation of the band broke up in 1965.[7] Alan James has stated that it was Newman's father who suggested The Tomcats as a new name, which the group then used.[7]

Meanwhile, another London based R&B group, named Second Thoughts, came together in 1965.[8] Second Thoughts included conga player, flautist and keyboardist Jon Field, guitarist Tony Duhig, lead singer Patrick Campbell-Lyons, and future member of Thunderclap Newman John "Speedy" Keen among its members.[7][8] Like The Tomcats, Second Thoughts also broke up in 1965, with singer Patrick Campbell-Lyons departing to form the psychedelic rock band Nirvana with Alex Spyropoulos.[8] Soon after, a new line-up of The Tomcats came together, featuring members of the original band and ex-members of Second Thoughts: Newman on vocals, Duhig on guitar, Field on flute/keyboards, James on bass, and Jackson on drums.[1][8] The Tomcats then relocated to Spain and enjoyed success there during 1966 as "Los Tomcats", playing gigs in Madrid, Barcelona, and the Canary Islands, as well as reaching the Spanish charts with a string of EPs.[1][3][7]

After returning to London, Newman and his friend Pete Cook (who had been in the first incarnation of The Tomcats)[8] began writing new material for the group that was less R&B influenced and more psychedelic in nature. The band changed their name to July in 1968[1] and secured a recording contract with Major Minor Records soon after.[2] The band, who were by now managed by Spencer Davis, released "My Clown" b/w "Dandelion Seeds" as their first single in 1968, but it failed to reach the UK Singles Chart.[2][3] The band also issued a self-titled album in 1968, but this too failed to reach the charts.[3] Newman was later (in a 1975 interview) to recall the description by one reviewer who said that "it was the worst album they'd ever heard and a complete waste of plastic".[9] In the years since its release, the July album has become a much sought after rarity among collectors of British psychedelia.[3][10] A second single was released, coupling the non-album song "Hello, Who's There?" with "The Way" but again, this release was a commercial failure.[3]

July disbanded in 1969,[1] with Duhig going on to play in the band Unit 4 + 2, before hooking up with Field and vocalist Glyn Havard to form Jade Warrior.[8] Newman released a number of solo albums[11][12] and also produced several albums for other artists, including Mike Oldfield (Tubular Bells, Tubular Bells II, and Heaven's Open).[1][12]

In the years since the band's demise, the July album has been reissued a number of times by different record labels.[3][6] There have also been two compilations released by the band: the 1987 LP Dandelion Seeds, which features all of the tracks from the July album and both sides of the "Hello, Who's There?" single; and 1995's The Second of July, which contains previously unreleased alternate versions and outtakes.[1][3] In addition, songs by July have appeared on a number of various artists compilations, including The British Psychedelic Trip, Vol. 2, It's Only a Passing Phase, Electric Psychedelic Sitar Headswirlers, Vol. 1, The Great British Psychedelic Trip Vol 3: 1965–1970, Acid Drops, Spacedust, & Flying Saucers: Psychedelic Confectionery, and Insane Times: 25 British Psychedelic Artefacts from the EMI Vaults.[3][4][13]

In 2009, Tom Newman, Pete Cook, Chris Jackson, and Alan James reformed July. -wiki

http://www.youtube.com/watch?v=Moi58tur ... re=related


http://www.youtube.com/watch?v=7kWQ9CR6 ... re=related

http://www.youtube.com/watch?v=El3o_6PW ... re=related

well, you can just keep going with the vids or GET IT NOW!!
:mrgreen:

TOMORROW

Posted: Sat Jul 02, 2011 2:49 pm
by jamestkirk
TOMORROW....1967
with Steve Howe, later guitar god fron YES.

Steve Howe, Keith West, Twink, John "Junior" Wood

PSYCHEDELIA AT ITS BEST!

Image



My White Bicycle
http://www.youtube.com/watch?v=7JhZqWCqKs8




omorrow (previously known as The In Crowd and before that as Four Plus One) were a 1960s psychedelic rock band. Despite critical acclaim and support from DJ John Peel who featured them on his "Perfumed Garden" radio show, the band was not a great success in commercial terms. They were among the first psychedelic bands in England along with Pink Floyd and Soft Machine. Tomorrow recorded the first ever John Peel show session on BBC Radio 1 on 21 September 1967.


History

Film director Michelangelo Antonioni intended to feature the band in his 1966 film Blowup, but instead used The Yardbirds. However Tomorrow did appear in the Swinging London film Smashing Time under the name of The Snarks. John "Junior" Wood was ill and was replaced by John Pearce, a clothes dealer. Again their music was not used in the film. The rock group sounds used in the film are by Skip Bifferty.

The band released two singles, one of which, "My White Bicycle", was later covered by heavy rock act Nazareth, and as a novelty record by Neil the Hippy (Nigel Planer) of The Young Ones TV series. According to drummer John 'Twink' Alder, the song was actually inspired by the Dutch Provos, an anarchist group in Amsterdam which reportedly instituted a community bicycle program: "they had white bicycles in Amsterdam and they used to leave them around the town. And if you were going somewhere and you needed to use a bike, you'd just take the bike and you'd go somewhere and just leave it. Whoever needed the bikes would take them and leave them when they were done."[1]

Tomorrow's September 1967 single "Revolution" was likely the primary inspiration for the John Lennon song "Revolution" which was released a year later.[citation needed] Tomorrow's tongue in cheek lyric "Have your own little revolution, NOW!" sounds like it prompted Lennon's response "You say you want a revolution."[citation needed] Though Tomorrow's song was not a hit the group was well known to insiders of the London music scene. Frank Zappa met the group on his first trip to England in 1967 and praised Steve Howe's guitar solo on the song "Claramount Lake". Zappa later chose to play "Claramount Lake" during a radio guest DJ appearance in the 1980s.

Tomorrow singer Keith West is perhaps better known as a participant in Mark Wirtz's Teenage Opera project that gave him a solo hit single "Excerpt from a Teenage Opera (Grocer Jack)" and brief commercial success. Guitarist Steve Howe later joined progressive rock band Yes, whilst Twink joined The Pretty Things on their concept album, S.F. Sorrow, before forming The Pink Fairies.
[edit] Band members

* Steve Howe: electric and acoustic guitars
* Keith West: vocals
* John "Junior" Wood: bass guitar
* John 'Twink' Alder: drums


HERE ARE MOST OF THE TRACKS (FROM THEIR ONLY OFFICIAL RELEASE IN 1967-- LISTEN ON YOUTUBE....

REVOLUTION
http://www.youtube.com/watch?v=HBU2m8Gd ... Hp&index=2


TRIPPY PSYCH AT ITS HEIGHTS!!


:mrgreen: [/b]

Posted: Fri Aug 19, 2011 9:56 pm
by jamestkirk
Some nice live solo afternoon blues for us....at the 3 minute mark Isaac really gets down with his acoustic guitar...man is that smooth

Blues Is Just A Bad Dream/Swinging Little Guitar Man
http://www.youtube.com/watch?v=j5Go8FQ5OF0

Posted: Fri Aug 19, 2011 11:18 pm
by Roughie
Being born in 79 I was too late to experience the actual period in time. However what was to my advantage in a way was all that music was already there waiting for me to discover. Which I did at a very young age. I remember being hassled for liking 60's and 70's music when I was very young. I also read poetry, and acted, and was in a choir. I was a strange child lol. But it didn't stop me listening to good music from the 60's/70's and even the 80's. The strangest part about it all is that I didn't discover The Doors until I was 14/15!!! How they escaped me until then, I'll never know.

Posted: Sat Aug 20, 2011 12:56 am
by jamestkirk
Roughie wrote:Being born in 79 I was too late to experience the actual period in time. However what was to my advantage in a way was all that music was already there waiting for me to discover. Which I did at a very young age. I remember being hassled for liking 60's and 70's music when I was very young. I also read poetry, and acted, and was in a choir. I was a strange child lol. But it didn't stop me listening to good music from the 60's/70's and even the 80's. The strangest part about it all is that I didn't discover The Doors until I was 14/15!!! How they escaped me until then, I'll never know.
It's interesting to me, roughie, the fascination and appeal that 60'smusic has for so many millions. I honestly don't believe anyone will be listening to LADY GAGA or Britney or most of the top 40 shlock 40 years on...but I can see the Beatles or Stones or DOORS being heard and revered 200 years on!
Maybe it is because 60's music is about TRUTH and innocence...just great music in it's original pure state.


Just.....GIMME SOME TRUTH
http://www.youtube.com/watch?v=dlzrNKN3rZI


"I'm sick to death of short-sighted narrow minded hypocrites....all I want is the truth now..."



Very cool to hear of your way of coming round to the RIGHT kind of music, roughie
=)

....we all keep the flame burning!!

Posted: Sat Aug 20, 2011 2:45 am
by silentseason
jamestkirk wrote:
Roughie wrote:Being born in 79 I was too late to experience the actual period in time. However what was to my advantage in a way was all that music was already there waiting for me to discover. Which I did at a very young age. I remember being hassled for liking 60's and 70's music when I was very young. I also read poetry, and acted, and was in a choir. I was a strange child lol. But it didn't stop me listening to good music from the 60's/70's and even the 80's. The strangest part about it all is that I didn't discover The Doors until I was 14/15!!! How they escaped me until then, I'll never know.
It's interesting to me, roughie, the fascination and appeal that 60'smusic has for so many millions. I honestly don't believe anyone will be listening to LADY GAGA or Britney or most of the top 40 shlock 40 years on...but I can see the Beatles or Stones or DOORS being heard and revered 200 years on!
Maybe it is because 60's music is about TRUTH and innocence...just great music in it's original pure state.


Just.....GIMME SOME TRUTH
http://www.youtube.com/watch?v=dlzrNKN3rZI


"I'm sick to death of short-sighted narrow minded hypocrites....all I want is the truth now..."



Very cool to hear of your way of coming round to the RIGHT kind of music, roughie
=)

....we all keep the flame burning!!
It's never too late to discover greatness. I was born in '66. I was all about sports in my adolescense until out of boredom one night when I was 16 I put on an old scratchy copy of the Doors my oldest sister left behind and everything changed. I still consider that day my real "birthday". Almost the same scenario when I was 20 and found a beat up LP of Da Capo. There is just a cornucopia of great music in that era that no other time can even touch.

Posted: Sat Aug 20, 2011 11:42 am
by Roughie
silentseason wrote:
jamestkirk wrote:
Roughie wrote:Being born in 79 I was too late to experience the actual period in time. However what was to my advantage in a way was all that music was already there waiting for me to discover. Which I did at a very young age. I remember being hassled for liking 60's and 70's music when I was very young. I also read poetry, and acted, and was in a choir. I was a strange child lol. But it didn't stop me listening to good music from the 60's/70's and even the 80's. The strangest part about it all is that I didn't discover The Doors until I was 14/15!!! How they escaped me until then, I'll never know.
It's interesting to me, roughie, the fascination and appeal that 60'smusic has for so many millions. I honestly don't believe anyone will be listening to LADY GAGA or Britney or most of the top 40 shlock 40 years on...but I can see the Beatles or Stones or DOORS being heard and revered 200 years on!
Maybe it is because 60's music is about TRUTH and innocence...just great music in it's original pure state.


Just.....GIMME SOME TRUTH
http://www.youtube.com/watch?v=dlzrNKN3rZI


"I'm sick to death of short-sighted narrow minded hypocrites....all I want is the truth now..."



Very cool to hear of your way of coming round to the RIGHT kind of music, roughie
=)

....we all keep the flame burning!!
It's never too late to discover greatness. I was born in '66. I was all about sports in my adolescense until out of boredom one night when I was 16 I put on an old scratchy copy of the Doors my oldest sister left behind and everything changed. I still consider that day my real "birthday". Almost the same scenario when I was 20 and found a beat up LP of Da Capo. There is just a cornucopia of great music in that era that no other time can even touch.
In a way I feel the same about when I first heard the Doors, it was like a new birthday. It really was a defining moment in my life. Not THE defining moment, but one of them!

Posted: Sat Aug 20, 2011 5:20 pm
by jamestkirk
I first heard "Light My Fire" on a little transistor radio in 1967, weeks before I had heard the album, and it was like a bolt of lightning! Just as when I heard the one of the very first Beatles songs released here in 1964--SHE LOVES YOU!!.... or "LIKE A ROLLING STONE"....NOW that was a moment!! DYLAN HAD GONE ELECTRIC!!!!!

Posted: Sat Aug 20, 2011 8:54 pm
by Roughie
jamestkirk wrote:I first heard "Light My Fire" on a little transistor radio in 1967, weeks before I had heard the album, and it was like a bolt of lightning! Just as when I heard the one of the very first Beatles songs released here in 1964--SHE LOVES YOU!!.... or "LIKE A ROLLING STONE"....NOW that was a moment!! DYLAN HAD GONE ELECTRIC!!!!!
The first time I heard them was in my brothers car. I had managed to score a ride into town with him and his friends and 5 minutes later one of them put a cassette of The Greatest Hits of The Doors on. After the first few bars of Break on Thru I was hooked and can't remember the rest of journey, just the music. I immediately asked who it was. When they kicked me out of the car I asked to borrow the tape so I could make a copy... roughly 17 years later I still haven't given it back!

Posted: Sun Aug 21, 2011 3:30 pm
by jamestkirk
BREAK ON THROUGH was and IS an amazing introduction to my favorite DOORS album (and favorite DOORS album cover)

Posted: Wed Aug 24, 2011 10:41 pm
by jamestkirk
Here is the 100 greatest albums of the 20th century by Spex (Germany). Ummm...one is notably missing! Any opinions here. Really!! The obvious pick is #1, but after that..........whokay!!?? An interesting mix to say the least.

http://rateyourmusic.com/lists/list_vie ... 50&start=0

This list (click on MOJO top 100 in the bottom left sidebar on the above site.."similar lists") is a little more to my tastes & opinions AND includes a certain important LP!!

Posted: Fri Aug 26, 2011 2:37 pm
by jamestkirk
Fairy Tale Of New York
http://www.youtube.com/watch?NR=1&v=Pv0hlbWpa1w


The Pogues ....such fine Irish punks!

If I Should Fall From Grace With God
http://www.youtube.com/watch?v=MT-7Zqd8 ... re=related

It's the ol' Irish pub shanties that bring on the emotion....drunks and old loves and politics...

Sunny Side Side Of The Street
http://www.youtube.com/watch?v=DBaKWLoF ... re=related

Dirty Old Town
http://www.youtube.com/watch?v=gMMgIqW9 ... re=related

J. Tillman--have a quiet listen to a fine artist

Posted: Wed Sep 21, 2011 2:57 pm
by jamestkirk
Lean back,have a little quiet time and have a listen....


Wild Honey Never Stolen
http://www.youtube.com/watch?v=I7Q9OgI1 ... re=related

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Joshua Tillman (born May 3, 1981) is an American folk singer, guitarist and songwriter. He is also the current drummer for the Seattle-based band Fleet Foxes.[1][2] He has maintained a steady output of recordings since 2004[3][4] and has toured the US and Europe extensively with Pacific Northwest artists such as Damien Jurado, Jesse Sykes, and David Bazan.[5][6]

Western Vinyl writes about Joshuas career: "J. Tillman moved to Seattle in 2004 after dropping out college where he was studying god-knows-what. Upon moving there he found a job working at a bakery, where he was allowed to record at night before his 4:30AM shift began. This led to a cassette that maybe 20 people heard, one of whom was Seattle legend Damien Jurado. Damien brought Tillman on tour about a year later, where every night he wowed audiences into exclaiming things like, 'Who is this weird mumbly kid' and/or 'Get off the stage.' Tillman would continue to tour through the US and Europe regardless of 'audiences', 'interest' and 'total lack of promotion or booking agencies'."[7]

When asked about the beginning of his musical journey back in March 2009, Tillman said: "I started playing music with my brother when I was about 12 and he was 11. I was obsessed with music but the idea of becoming good at the guitar bored me to tears, I’m not really technically proficient on any instrument. I just learnt enough chords so I could write songs, although I have accidentally improved over the years. ... I was much more interested in song writing, I probably fancied myself as a person who really had something to say. I think it is just a bad habit I have stuck with really, as a way to identify myself. I don’t know why but every body seems to need a way to identify themselves, be it like “I’m Funny” or “I’m smart” or “I’m a songwriter” or “I’m a drummer”, I think we just cling on to that thing for dear life because if we don’t have it we’re lost. So I guess my musical journey has been all about figuring out who I am through the process of making records. I think I am now coming to the other side of that where I can just view myself as myself, and not get on stage and feel I have to present some false, disingenuous version of myself."


Albums

* I Will Return (Keep Recordings, 2005)
* Long May You Run, J. Tillman (Keep Recordings, 2006)
* Minor Works (Fargo, 2006)
* Cancer And Delirium (Yer Bird, 2007)
* Vacilando Territory Blues (Western Vinyl, 2009) - UK #191
* Year In The Kingdom (Western Vinyl, 2009)
* Singing Ax Sept 14th, 2010 (Western Vinyl, 2010)

Borne Away On A Black Barge
http://www.youtube.com/watch?NR=1&v=ZdF2aiwXveE

ABOVE ALL MEN
http://www.youtube.com/watch?v=fbly2RDI ... re=related

James Blues
http://www.youtube.com/watch?v=2CuRFXEV ... re=related

Enjoy!

Posted: Wed Oct 05, 2011 11:09 pm
by jamestkirk
Harry Chapin

Jac Holzman was so enthused about signing Harry that he returned to the studio as producer for the first time in quite a while.


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I was so broken hearted when I was driving though Boston in 1981 and heard on the radio about his death in a car accident on the Long Island Expressway.

Taxi--alt version....with the industrial promo video that Jac produced with commentary at the end
http://www.youtube.com/watch?v=_YWGTMC3u5o

The rest of "Heads & Tales" was equally impressive. What a great album and artist.


On Johnny Carson...Song For Myself...with commentary on Watergate Hearings
http://www.youtube.com/watch?v=Oxr7IPFW ... re=related

W.O.L.D.
http://www.youtube.com/watch?v=1l0fH0dR ... re=related

All My Life's A Circle
http://www.youtube.com/watch?v=1yjxWfyx ... re=related

Posted: Wed Oct 05, 2011 11:11 pm
by jamestkirk
I'm not finding any info about that incredible Harry Chapin release of alternate mixes of Heads & Tales....

http://filecrop.com/32680222/index.html

Is it a bootleg? All of the reissues are the 1972 original album with bonus tracks.


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The legacy of Harry Chapin..and his philanthropic work.


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Chapin was resolved to leave his imprint on Long Island. He envisioned a Long Island where the arts flourished, universities expanded, and humane discourse was the norm. "He thought Long Island represented a remarkable opportunity," said Chapin's widow, Sandy.[5]

Chapin served on the boards of the Eglevsky Ballet, the Long Island Philharmonic, and Hofstra University. He also energized the now-defunct Performing Arts Foundation (PAF) of Huntington.

In the mid-1970s, Chapin focused on his social activism, including raising money to combat hunger in the United States. His daughter Jen said: "He saw hunger and poverty as an insult to America".[6] He co-founded the organization World Hunger Year with legendary radio DJ Bill Ayres, before returning to music with On the Road to Kingdom Come. He also released a book of poetry, Looking...Seeing, in 1977. Many of Chapin's concerts were benefit performances (for example, a concert[7] to help save the Landmark Theatre in Syracuse, New York), and sales of his concert merchandise were used to support World Hunger Year.

Chapin's social causes at times caused friction among his band members and then-manager Fred Kewley. Chapin donated an estimated third of his paid concerts to charitable causes, often performing alone with his guitar to reduce costs. Mike Rendine accompanied him on bass throughout 1979.

One report quotes his widow saying soon after his death — "only with slight exaggeration" — that "Harry was supporting 17 relatives, 14 associations, seven foundations and 82 charities. Harry wasn't interested in saving money. He always said, 'Money is for people,' so he gave it away." Despite his success as a musician, he left little money and it was difficult to maintain the causes for which he raised more than $3 million in the last six years of his life. The Harry Chapin Foundation was the result.

----------------------------------------------------------------

...Chapin's remains were interred in the Huntington Rural Cemetery, Huntington, New York. His epitaph is taken from his song "I Wonder What Would Happen to this World". It is:

Oh if a man tried
To take his time on Earth
And prove before he died
What one man's life could be worth
I wonder what would happen
to this world

-------------------------------------------------------------------

Legacy

On December 7, 1987, on what would have been his 45th birthday, Chapin was posthumously awarded the Congressional Gold Medal for his campaigning on social issues, particularly his highlighting of hunger around the world and in the United States. His work on hunger included being widely recognized as a key player in the creation of the Presidential Commission on World Hunger in 1977 (he was the only member who attended every meeting).[9] He was also the inspiration for the anti-hunger projects USA for Africa and Hands Across America, which were organized by Ken Kragen, who had been Chapin's manager.[10] Kragen, explaining his work on these benefit events, said, "I felt like Harry had crawled into my body and was making me do it."[11]

A biography of Chapin entitled Taxi: The Harry Chapin Story, by Peter M. Coan, was released following his death. Although Chapin had cooperated with the writer, following his death the family withdrew their support. There is some concern about the accuracy of the details included in the book. In 2001, Chapin's "Cat's in the Cradle" was ranked number 186 of 365 on the RIAA list of Songs of the Century. Chapin was inducted into the Long Island Music Hall of Fame on October 15, 2006.

The Lakeside Theatre at Eisenhower Park in East Meadow, New York, was renamed "Harry Chapin Lakeside Theatre" during a memorial concert held one month after his death, as a tribute to his efforts to combat world hunger. Other Long Island landmarks named in honor of Chapin include a graduate student apartment complex at Stony Brook University, a theater in Heckscher Park, and a playground at the intersection of Columbia Heights and Middagh Street in Brooklyn Heights.

On September 27, 2011, former congressman Alan Grayson wrote an article on The Huffington Post about Chapin's song "What Made America Famous".

Posted: Mon Oct 10, 2011 10:49 pm
by jamestkirk

Posted: Sun Oct 16, 2011 7:56 pm
by jamestkirk
The Space Cowboy....

Steve Miller Band

His sixties psych rock albums were all we hoped for...Children of The Future, Sailor, Brave New World....with an ace backing band including Boz Scaggs on his first album Children Of The Future (recorded in London)

Steve may have deservedly had some mega hits with some great songs in the 70's but he was never the same for me...guess you had to be there in the 60's ...just gimme steve on guitar and rock on!

Brave New World
http://www.youtube.com/watch?v=aVEgDSOx_5w

Kow Kow
http://www.youtube.com/watch?v=5lp7x6rm ... re=related

Children Of The Future
http://www.youtube.com/watch?v=nDMM6UuIFkw

The style [Children Of The Future] is a mixture of blues and psychedelic rock reflecting the ambience of the British blues revival, not surprisingly considering the album was recorded in London (at Olympic Studios). Rolling Stone described the first side as being "constructed like Sgt Pepper".[3] Writing in Crawdaddy!, Peter Knobler called the album "a triple moment of experience, knowledge, inspiration."[4] However, many of the songs had been written earlier in 1967-68 when Miller was working as a janitor at a Texas music studio.[5] "Baby's Callin' Me Home" was written by Boz Scaggs who later rose to considerable global fame in his own right.

In My First Mind
http://www.youtube.com/watch?v=OTS1lPhxFV4

-----------------------------------------------

And from the great Sailor album....
Here is a live version of--


Song For Our Ancestors
http://www.youtube.com/watch?v=McSPd3aVXNk



Most definitely a part of the late-'60s West Coast psychedelic blues revolution that was becoming hipper than hip, Steve Miller was also always acutely aware of both the British psychedelic movement that was swirling in tandem and of where the future lay, and how that would evolve into something even more remarkable. The result of all those ideas, of course, came together on 1968's magnificent Sailor LP. What was begun on Children of the Future is more fully realized on Sailor, most notably on the opening "Song for Our Ancestors," which begins with a foghorn and only gets stranger from there. Indeed, the song precognizes Pink Floyd's 1971 opus "Echoes" to such an extent that one wonders how much the latter enjoyed Miller's own wild ride. Elsewhere, the beautiful, slow "Dear Mary" positively shimmers in a haze of declared love, while the heavy drumbeats and rock riffing guitar of "Living in the U.S.A." are a powerful reminder that the Steve Miller Band, no matter what other paths they meandered down, could rock out with the best of them. And, of course, this is the LP that introduced many to the Johnny "Guitar" Watson classic "Gangster of Love," a song that would become almost wholly Miller's own, giving the fans an alter ego to caress long before "The Joker" arose to show his hand. Rounding out Miller's love of the blues is an excellent rendering of Jimmy Reed's "You're So Fine." At their blues-loving best, Sailor is a classic Miller recording and a must-have -- especially for the more contemporary fan, where it becomes an initiation into a past of mythic proportion. - by Amy Hanson ; AllMusic



Dear Mary
http://www.youtube.com/watch?v=MjlFkqMNxcY

Overdrive
http://www.youtube.com/watch?v=nttYEKdG ... re=related

----------------------------------------------


And as the 60's gave way to the 70's..Steve came up with a favorite that I initially thought was Traffic!

Your Saving Grace...1969
http://www.youtube.com/watch?v=47mPt3kJjvs

I LOVE IT!

Posted: Sun Oct 16, 2011 9:34 pm
by universalmind69
How about this one :
Steve Miller Band - Serenade

http://www.youtube.com/watch?v=1KTRpu2E3pw

oooh, so damn good!

Posted: Sun Jan 27, 2013 4:09 pm
by jamestkirk
A good thread to revive..it got lost over that years. Still a good read from all you guys here, and those that have gone away.

Come home!

Newest love...CAROL OF HARVEST--brilliant psych folk prog...Fairport/Pentangle with an electric fuzzz edge.


Put On Your Nightcap...16 minute wonder
https://www.youtube.com/watch?v=57_XiV18O5k


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