The Doors Forum

"Kind of a minor league version of the Doors"...allmusic
One of my treasured Elektra vinyl records-lk

CLEAR LIGHT

Street Singer
https://www.youtube.com/watch?v=HXRBLyLQtiM





Clear Light was the only studio album released by the 1960s Los Angeles psychedelic rock band, Clear Light.

Recording commenced in April 1967 at Elektra Recording Studio in Los Angeles. The majority of the material was complete during these sessions, but the developments were postponed to replace Robbie Robison on guitar. Instead of a new guitarist, the band recruited keyboardist Ralph Schuckett, and, following a month of concerts, the band returned to recording in Sunset Sound Recorders Studios. The studios had just recently upgraded from a 4-track to an 8-track. A highlight of the recording sessions was the band's psychedelic interpretation of the composition "Mr. Blue".

Clear Light was released in September 1967 and peaked at number 126 on the Billboard pop albums chart. It combined elements of folk, rock, psychedelic, and classical music. It is an AMG music pick,[3] although the album was not a success at the time. The album featured the unique characteristic of including two leading drummers on their tracks.

"Black Roses" (Clear Light, Wolfgang Dios) 2:09
"Sand" (Douglas Lubahn) 2:38
"A Child's Smile" (Clear Light, Michael Ney) 1:37
"Street Singer" (Greg Copeland, Steve Noonan) 3:17
"The Ballad of Freddie and Larry" (Cliff De Young, Ralph Schuckett) 1:56
"With All in Mind" (Bob Seal) 2:58
"Mr. Blue" (Tom Paxton) 6:25
"Think Again" (Clear Light, Douglas Lubahn) 1:37
"They Who Have Nothing" (Bob Seal) 2:34
"How Many Days Have Passed" (Bob Seal) 2:24
"Night Sounds Loud" (Douglas Lubahn) 2:26
A later reissue of the album included a bonus track, "She's Ready to Be Free", which was the B-side of the group's first single.

Two drummers...Quite interesting to hear different drumming on left and right channels...best with headphones.

Clear Light full album
https://www.youtube.com/watch?v=R78Zqq8 ... 72669CAD00

AllMusic Review by Matthew Greenwald

Kind of a minor league version of the Doors, Clear Light were a West Coast phenomenon, and although they didn't last too long, were an interesting group. A very good slice of Los Angeles psychedelia, Clear Light were a six-piece band that combined folk, rock, psychedelia, and even a touch of classical to their sound. The end result, though, is a little ponderous and pretentious, but strangely listenable. The big hit off this album (produced by Paul Rothchild and engineered by Bruce Botnick) was "Mr. Blue," a psychedelic folk song written by Tom Paxton. It's over six-minutes long and a bit overbaked, but it does have an odd appeal. The finer moments are guitarist Bob Seal's psychedelic folk-rock songs, namely "With All in Mind" and "They Who Have Nothing." Singer Cliff DeYoung went on to have a successful acting career, bass player Doug Lubahn played on the early Doors albums, Dallas Taylor went on to drum for Crosby, Stills, Nash & Young and John Sebastian, and keyboardist Ralph Schuckett became one of the more popular West Coast session players and arrangers. A lot of talent in a short-lived ensemble. Dated but charming West Coast psychedelia.

Day-by-day diary of Clear Light...
A wonderful site by rock historian Bruno Ceriotti

http://brunoceriotti.weebly.com/clear-light.html

This day-by-day diary of Clear Light's live, studio, broadcasting and private activities is the result of three decades of research and interview work by Bruno Ceriotti, Gray Newell, and Nick Warburton, but without the significant contributions of other kindred spirits this diary would not have been possibile. So, we would like to thank all the people who, in one form or another, contributed to this timeline: Ross Hannan, Corry Arnold, Marc Skobac, Ralph Schuckett, Doug Lubahn, Alan Brackett, John Einarson, Paul D. Grushkin, Brian Hogg, Terry Hounsome, David Peter Housden, Vernon Joynson, Pete Long, Greg Shaw, Domenic Priore, Deena Canale, Richard Morton Jack, Steven M. Finger, Dennis Donley, Jim Salzer, Luis Futre, Michael Lazarus Scott, and John H. Warburg.